Versace says no friction between Donatella and CEO

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Italian fashion house Versace on Monday denied news reports there was friction between design head Donatella Versace and Chief Executive Giancarlo Di Risio.

Newspapers have speculated about Di Risio possibly leaving the company. Daily Il Sole 24 Ore last week said he and design head Donatella Versace were "close to a divorce" because of disagreement over strategy.

"With regards to the recent news items and articles that have appeared in the press, the board unanimously and categorically denies the existence of friction between the CEO and the Creative Director Donatella Versace regarding the necessary policy of cutting costs," the fashion house said in a statement.

Di Risio was hired at Versace in 2004.

Versace's board also approved first-quarter results, which showed a fall in revenues of 13.4 percent compared with last year "but with a positive net result."

April and May have shown an improvement, it said. The board also approved a three-year plan, focused on measures to adapt to the financial crisis.

Versace is owned by Donatella, her brother Santo and her daughter Allegra. The company, known for its Medusa-head logo and penchant for gold, last year turned in an 8.2 percent rise in revenues to 336 million euros ($470.2 million).


Source : http://www.reuters.com/

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Giorgio Armani recovering after hepatitis

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Italian fashion designer Giorgio Armani said on Thursday he had had a case of hepatitis and is now recovering.

The 74-year-old said in a statement he had decided to "calm worries" after a high level of interest concerning his personal well-being in the last few days.

"I have in fact suffered from hepatitis by poisoning, which, certainly is not a rare illness. Nevertheless it is one which requires some time for a complete recovery," Armani said.

The designer, who counts numerous celebrities as his fans, added that he was recovering and that the company had continued to operate "normally with business as usual."

"My commitment both on the creative and management side has never relented," he said.

"Consequently there has been no shift in delegation of my authorities to any one of the executives and everything in the company is proceeding with the usual energy."

Armani is considered the doyen of Italian fashion. His clothes are known for their classically elegant lines and muted colors.

He is due to showcase his menswear collections for the Giorgio Armani and Emporio Armani brands during Milan's fashion week in June.

Source : http://www.reuters.com/

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Tulips & Pansies: The Headdress Affair - A Night of Flowers and Fashion to be Remembered

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If you hadn't yet become savvy to the fact that pollen season has begun in New York City, then the "Tulips & Pansies: The Headdress Affair" fashion show fundraiser thrown by Village Care New York on Thursday, May 14, was a true spring awakening, merging fashion and flowers for a good cause.

Fashion designers and florists, 17 duos in total, teamed up for the eighth annual VCNY event where there was more coming down the catwalk to look at than just a pretty dress. Each florist worked with a clothing designer to come up with an extravagantly decorative headpiece that models adorned, complementing the runway look. Lilies, orchids, poppies, roses and even palm leaves all served in the cast of foliage that stood high atop the models' crowns.

The event was hosted by James Aguiar from Full Frontal Fashion and Style Network and featured apparel designers including Tory Burch, Pamella Rowland, Ralph Rucci and Cynthia Steffe.

Winning accreditation from the judges for most entertaining design was Sara Jordan of Sara Claire and Esther, who paired fishnet stockings to her Bordeaux colored, man-tailored cropped jacket highlighting this season's special vintage embellishment - lace. "Lots of feathers," said Amy Wolk of Fleurs as she made final preparations backstage before the show, which proved to be essential to her winning top hat design that completed the cabaret inspired ensemble.

The headdresses, each with their own themes, styles and inspirations, were floral masterpieces in height and length, some towering over four feet high and others spanning the same in width. Creativity was in full bloom with designs that included a fantasy bird's nest with eggs, a Greco-Roman Cleopatra hair style, a floppy "over the top" brim hat made of roses, and a Napoleon hat.

Fashion entrepreneur and founder of public relations firm People's Revolution, Kelly Cutrone chaired the event for Village Care New York along with Jack Curry. "This is the only place that helps people with HIV when they have no where else to go," said Cutrone. Having lived in the West Village area of Manhattan, she reaffirmed her loyalty to the cause, as well as her old neighborhood, shrugging her shoulders and saying, "What can I say. I'm a downtown girl."

Source : http://www.fashionwiredaily.com

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Paulina Porizkova say she was fired by 'Top Model'

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Paulina Porizkova got a pink slip from "America's Next Top Model." That's what the model-actress said Tuesday night on CBS' "The Late Late Show," dropping this bombshell to host Craig Ferguson: "Do you know why I'm in Los Angeles, besides seeing you? ... Because I'm looking for a job. Because I was fired by `America's Next Top Model' on my birthday."

Porizkova, who turned 44 on April 9, joined the judges' panel of the popular model-scouting series last year. Wednesday night's 12th season finale on the CW network marks her final appearance.

According to Porizkova, the firing happened over the phone.

"Just to be fair here, the reason I was told I was fired was because ... it seemed that `America's Next Top Model' had gotten too fat and they needed to cut some fat — and the fat was me," she explained to Ferguson.

Porizkova judged the crop of `Top Model' wannabes alongside fashion insiders J. Alexander, Nigel Barker and the show's creator and host, Tyra Banks.

Show representatives Jeff Tobler and Chelsea Hettrick declined to comment beyond confirming Porizkova's departure. The supermodel's publicist, Meghan Prophet, did not return a phone call regarding Tuesday's announcement.

Porizkova joked that her "gigantic huge ego" might have contributed to her untimely reality-show elimination. That prompted Ferguson to ponder whether there was rivalry between her and Banks.

Getting serious, she added: "I really believe that they just felt like they didn't need me, which, of course, they don't."


Source: http://www.ap.org/

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Couturier Pierre Cardin returns home from hospital

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Star French couturier Pierre Cardin, 86, was on Thursday released from a hospital in the Mediterranean city of Marseille after a 48-hour stay caused by high blood pressure, his press service said.

"His state of health was judged to be perfectly satisifactory by his doctors and he will be able in a few days to resume his professional activities," it said in a statement.

Cardin was flown by helicopter to Marseille on Tuesday from the southern village of Lacoste, where he each year organises a music and theatre festival in a castle he is restoring that was once owned by the Marquis de Sade.

He was last week also briefly hospitalised for a fracture of his shoulder-blade after falling on stairs.


Source: http://www.afp.com

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Jayson Brunsdon: Class With a Hint of Parisian Panache

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It felt like Paris at Jayson Brunsdon's runway show at Rosemount Australian Fashion Week in Sydney Wednesday, April 29, when the simple and chic sophistication recalled the old days of haute couture when shows were mini social galas and not celebrity slugfests.

Full of understated poise, the collection was one of those stylish affairs where the pale colors, quietly graceful hair and makeup and classy carriage of the models all evoked one big word - ladylike. In an era when people turn up for shows in faded anthracite jeans, Brunsdon's collection was a bit nostalgic, but defiantly elegant.

There was a certain colonial comportment to this collection, where pleated georgette pool dresses, oyster-hued dresses, splendid boyish shantung shorts and leaf colored cocktails whispered grace, but never shouted glamour.

Brunsdon may not be the most innovative of designers, but he has plenty of class. He designed the collection and staged this show after undergoing many months of chemotherapy after being diagnosed with cancer last July. Brunsdon dedicated the collection to his mother Dorothy, and a drawing of his mother was on the cover of his invitation.

"It was a dark period in my life," said the designer, who embraced Dorothy on the catwalk, an elegant touch before a cheering audience that gave Brunsdon a loud and long applause.

Source: http://www.fashionwiredaily.com

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Romance Was Born: Australia Couture

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Often the best tests of a fashion house's influence and possible longevity is the strength of its underlying concept, and using this yardstick one can only predict the rosiest of future's for Romance Was Born, which staged a simply sensational show in Sydney Thursday, April 30.

Staged in the light-bathed end of a great old wharf, the show was practically a hit before the first look appeared, thanks to the great stage set a potpourri of cane trunks, garden statues bedecked with chains of pearls, fine bone china tea sets, budgies, ships steering wheels, gardener's paraphernalia and a substantial wacky garden of potted flowers.

The opening was also perfectly judged, a sixties-like mini skirted white suit. The opener captured many of the breath-taking details of this impressive aesthetic statement - eyebrows remade with mini fans of pearls, platform shoes constructed with doilies and seashells. If this sounds absurdist, that's because it was, yet the sheer audacity of the images also made every look a wonderful one.

Curvy, sexy shantung suits in cobalt blues, saucy society hostess cocktail dresses - subverted by the body hugging shape - and bird of paradise slatternly countesses in fiery red frocks all looked great.

This was the closest collection outside of Western Europe to reach the technical heights of a Paris haute couture show. But what made it even more special was the way Romance Was Born's designers Anna Plunkett and Luke Sales made this Australia couture, by using lots of references to their own country and culture, whether it be colonial doilies, wrought iron filigrees, crochet squares or grandmother's pearls. That was clear from the show title: "Doilies and Pearls, Oysters and Shells."

Plunkett and Sales teamed up with local artists Patrick Doherty and Esme Timbery to produce colorfully naïve cartoonist prints on a great silk material composed of oysters and pearls.

"Our next plan? Opening boutiques in Melbourne, Sydney and Tokyo," said Sales, in between interviews with local TV crews.

Created in pastel hues of pale pink or faded blue, mint and lavender the collection deservedly won the duo prolonged applause as they took their bow after a memorable display of adventurous style and chic. It was a rare and unique moment when the meeting of imagery, aesthetics, eccentricity and beauty was so special that one felt privileged to be right at the center of the creative universe. Romance Was Born elicited one of those charming epiphanies.


Source: http://www.fashionwiredaily.com

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